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Historical Archive: Angels, around 1360 to 1460 seraphim (top L, R): Karlstejn Castle, Chapel of the Holy Cross c.1360-65, which has its own page with other angels Arca di Sant' Agostino, 1362-aft. 1409, San Pietro in Ciel d'Oro, Pavia. This work has its own page. cherubim with prophet: Arca di Sant' Agostino, 1362-aft. 1409. This work has its own page. Apocalypse cycle c.1363/65: Karlstejn Castle, Chapel of the Virgin Mary, which has its own own page. 3 Towers Reliquary, 1370-90, AachenCT. This work has its own page. angel with seven vials (Rev. 15): Baptistery, cathedral of Padua, 1376 paintings: Giusto de' Menabuoi. This work has its own pages with many examples. Jacob wrestles with the angel (Gen. 32): Baptistery, cathedral of Padua, 1376 paintings: Giusto de' Menabuoi. This work has its own pages with many examples. Archangel Michael (center), prob.Theophanes the Greek late 14th c., iconostasis: Moscow Annunciation Cathedral, which has its own page with Gabriel and other angels right: Ethiopian Gospels, late 14th-early 15th c., Met 1998.66, which has its own page. Arezzo, San Francesco: St. Michael and the Rebel Angels fresco, Spinello Aretino (1350-1410) Annunciation, alabaster with paint and gilding, 15th c. Nottingham, PMA 1945-25-107 (pair with 1945-25-108). For another view see PMA. angel reliquaries, silver gilt with paint, France 15th c., Louvre MR 551, 550. These works have their own page. Archangel Michael, 15th c. Russia (Moscow?), MSHM Crucifixion, painted ivory, c.1400-50 Rhineland or Flanders, Schn B144 Major Sakkos of Photius, Byzantine 1408-31, Armory TK-4, which has its own page with more angels Madonna of Mercy, Giovanni di Agnolo di Balduccio c.1414, fresco, Arezzo MS. For detail see Arezzo Museums. Old Testament scenes on oak choir stalls, 1420, Roskilde cathedral, which has its own page with another angel canopy from the throne of Charles VII of France, wool and silk, attrib. Jacob de Littemont, c.1425-50, Louvre OA 12281. For detail see Louvre. Streeter-Picard Hours, fol. 77v, Flanders, second 1/4 15th c., Bryn Mawr College Library MS 27; for details see Bryn Mawr Winterfeld Diptych: Ecstasy of Mary Magdalene, tempera on oak, from church of Notre Dame in Gdansk, Gdansk c.1430, MNW Śr. 206. For additional views see MNW. console of standing figure by ambo, sandstone 1430, polychromed 1849, Aachen cathedral choir. The cathedral has its own pages. ceramic mold with Annunciation, c.1430/40, LMM 26/106 Annunciation, woodcut/paper, Oberrhein c.1430-40, WienMus Annunciation and Expulsion, Giovanni di Paolo, tempera on panel c. 1435, NGA 1939.1.223. This work has its own page. Ivan Arip, 1435: Panagiarion, silver gilt, which has its own page Parri Spinelli, Madonna of Mercy w. lives SS. Lorentino, Pergentino, tempera/panel 1435-37, Arezzo MS, which has its own page corbels: monument of Bishop André of Gualdo, d.1437, Sion Cathedral. For additional views see Sion Cathedral. apse paintings, 1434-37, Sion, Valère basilica, which has its own interior page Rogier van der Weyden or shop, Annunciation c.1440, Louvre MR 813, which has its own page Parri Spinelli, God sending Gabriel to Mary, fresco c.1440-49, fr. Duomo Vecchio, Tabernacle of the Annunciation, Arezzo MS Three Coronations tapestry, Brussels 1446-88, Sens CT. This work has its own page. Dormition of the Virgin, mid 15th c., Tretyakov Gallery Moscow. This object has its own page. Khutyn epitaphios, taffeta with gold/silver/silk embroidery, mid 15th c., workshop of Archbishop Euthymius/Euphemius II (1429–1459), Novgorod AM. For details see Novgorod. Filippo Lippi, Coronation of the Virgin panel, Marsuppini altarpiece, 1450s, Vat. loan to Arezzo MS. For full work see Arezzo Museums. stained glass windows: Goro di Bartolomeo, Leonardo di Bartolomeo, Bartolommeo d'Andrea Bocchi 1453-54, Pisa cathedral, which has its own pages seraphim, spandrels: Andrea Cavalcanti (il Buggiano), Cardini (Trinity) chapel, 1453-58, San Francesco, Pescia, which has its own page