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Historical Archive: Known Artists, Bratilo to De Matteis Chalice of *Bratilo, 12th c. Byzantine Novgorod, silver gilt, Novgorod AM. This work has its own page. Brébar 1853: arms of donors on vault of chapel, Lille, Hospice Comtesse. For additional views see l’Hospice Comtesse. school of Andrea Bregno, 1482 marble Crucifixion (right), Lateran Baptistery narthex, Rome. The baptistery octagon and narthex have their own interior page. Charles-Antoine Bridan, Assumption of the Virgin 1763-73, marble. For more views see Chartres interior. Giovanni Francesco Buonamici, 1734-45 Ravenna cathedral. For other views see Neonian Baptistery. Buschetto 1063-1118, Pisa cathedral first phase, which has its own pages Wilhelm Buschulte windows 1979-80 on right: Aachen cathedral choir. The cathedral has its own pages. Joseph Buzot, Mantel clock with priestess and Cupid sacrificing to Venus, c.1780, gilded bronze, ebony, porcelain, and glass, UMMA 2001/2.82. This work has its own page. Samuel Caldwell Jr. 1919-49: Canterbury cathedral stained glass, which has its own page. Andrea Camassei (1602/49), Battle of the Milvian Bridge, Lateran Baptistery octagon ambulatory, Rome Caravaggio (Michelangelo Merisi), Deposition (Christ placed on the stone of unction), oil on canvas, 1604, Vat 40386. This work has its own page. Pierre-Louis Carlier and Peter Rice, Cathedral of Notre-Dame-de-la-Treille, Lille, façade 1991-99. This work has its own page. Nicola Carnevali 1892, Armillary sphere with moving planets, Imola. For details see Imola. Juan Carreño de Miranda, Crucifixion, 1658, oil on wood, IMA 2009.377. For inscription see IMA. A. Carvin, St. Louis holding the Crown of Thorns, linden wood, 1927; with silver gilt and glass reliquary, 1833 holding relics from Ste. Chapelle, Paris; Sens CT. For detail see Sens. Bertozzi/*Casoni 1997, Scegli il Paradiso, majolica, which has its own page, Imola Antonio Cassi, 1923 reliquary of Boethius (St. Severinus Boethius), San Pietro in Ciel d'Oro, Pavia. This work has its own page. Chang Ku-nien (1906–1987), Lone Rooster Summons the Spring, 1981, ink and color on paper, UMMA 2006/1.112. Art object copyright: artist/heirs. Andrea Cavalcanti (il Buggiano), Cardini (Trinity) chapel, 1453-58, with contemporary altar, San Francesco, Pescia, which has its own page Giovan Battista Ceceri 18th c., ornamentation of Chapel of the Immaculate Conception, San Francesco, Pescia, which has its own page R. D. Chantrell, west gable/bellcote 1838-39, Adel church, which has its own exterior and interior pages Henry Cheffer, design, Algerian stamp: Halte Saharienne, 1936-37, p.c. For detail see private collections. Chelsea Porcelain Factory c.1754, boar's head tureen, SF 1945.581a-b. For other views see SF. Chersalle: St. George and the dragon, marble, Michel Colombe 1509-10; frame prob. Jerome Pacherot, Jean Chersalle, Bertrand de Meynal. Louvre MR 1645. This work has its own page. Leo Childs 1994 design, embroidered by Cathedral Broderers, frontal and retable panels, eastern transept, Durham Cathedral, which has its own pages with details Cimabue, Crucifixion 1268-71, church of San Domenico, Arezzo. This work has its own page. Cimabue, Deesis mosaic John 1301-02, int. Pisa cathedral, which has its own pages with details Cincius, Publius Salvius, cast bronze pinecone fountain 1st-2nd c., Vat. For other views see Vat. Andrea di *Cione (Orcagna): altarpiece 1357, Cappella Strozzi di Mantova, Florence, which has its own page Nardo di *Cione: Cappella Strozzi di Mantova, Florence, 1354-57, which has its own page James Clement 1663 wooden font cover with 1846 baptismal font, Durham Cathedral, which has its own pages with Clement 1665 choir stalls Andreas Clemmensen 1924, Glücksburger Chapel, Roskilde cathedral, which has its own page François Clouet, portrait of François de Scepeaux, oil on wood, 1566, IMA 2004.158. For view without frame see IMA. Charles Collens museum building 1938, The Cloisters, New York. For more see Met. Michel Colombe, St. George and the dragon, marble, 1509-10. Louvre MR 1645. This work has its own page. Coppo di Marcovaldo, Madonna del Bordone 1261, Church of Santa Maria dei Servi, Siena. This work has its own page. Coppo di Marcovaldo, Virgin and Child reliquary, c.1270-80, Santa Maria Maggiore, Florence. This work has its own page. Pedro de Córdoba, Mass of Saint Gregory c.1475, oil on wood, IMA 57.82. For detail see IMA. Giovanni delle Corniole (aft. 1470–aft. 1516), attrib., cameo Christ on double-sided banded agate in 17th c. enameled silver-gilt setting, p.c., access courtesy of Hadrien Rambach. For profile and intaglio reverse see p.c.. Jean de Court (Vigier), enamel, Baking Bread: Labor for December, 1540-60, UMMA 1977/1.168 Jean de Court (Vigier), Crossing the Red Sea, enamel/copper, 1575-85, SF 48.2. For details see SF. Thomas Couture, Baron Paul Pérignon c.1850, oil on canvas, UMMA 1965/2.66 Cranach, Wilhelm Lucas: Gorgon brooch, gold/opal/nephrite/jasper/emerald/pearl, Berlin 1902, SMB KGM LG 147. For detail see Berlin. Robert Cremer and Friedrich Joseph Ark: window 1869-70, remade Wilhelm Geyer 1954, Aachen cathedral. The cathedral has its own pages. Carlo Crivelli, Virgin and Child c.1476, tempera and gold on poplar, MFAB 75. This work has its own page. Luca *D'andrea metalwork; Francesco Mosca, Lorenzi Stoldo di Gino marble: Coronation of the Virgin 1565-83, int. Pisa cathedral, which has its own pages aft. Jacques-Louis David: clock in the form of The Oath of the Horatii, bronze gilt and marble, clockwork: Le Roy, early 19th c., Musée Carnavalet Paris Joseph-Théodore Deck and prob. Edmond Lachenal, tile plaque with ducks, earthenware with underglaze and enamel, c.1880 France, PMA 1973-203-1a. For companion plaque see PMA. François-Emile Décorchemont, glass vase 1904-71, UMMA 1972/2.228. Art object copyright: artist/heirs. For detail see UMMA. G. de Feure, Paris, design, made by J. Rappaport, Budapest, floor vase, 1900-02, MAAB. For detail see MAAB. Giovanni Battista *del Cervelliera, marquetry on archiepiscopal throne 1536, int. Pisa cathedral, which has its own pages with another panel U. De Matteis, 1897 heads, hands, feet: stained glass in Pisa cathedral, which has its own pages