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Historical Archive: Resurrection of Christ and Holy Sepulchre Women at the Tomb, Anastasis, Harrowing of Hell Passion sarcophagus, marble, c.350 CE, Vat 31525. This work has its own page. Resurrection/Ascension, ivory, c.400, BNM MA 157, which has its own page. Resurrection, ivory pyxis, 6th c., eastern Mediterranean, VHM, loan from Sion CT. This work has its own page. Angel at the Sepulchre, crystal in gold pendant, 6th-7th c., DO 58.30 Angel at the Sepulchre, crystal in gold pendant lit from reverse, 6th-7th c., DO 58.30 buckle, belt of St. Caesarius, ivory, early 6th c., Arles. This work has its own page. Sancta Sanctorum reliquary box, Syria/Palestine, late 6th-early 7th c. This work has its own page. Harrach diptych, ivory with glass c.800, Schn 1012, which has its own page Resurrection/Nativity, ivory late 9th-early 10th c., Vat 64477 Maries at the Sepulchre ivory, 1st half of 10th c., V&A 380-1871 Crucifixion and Maries at the Sepulchre, ivory, St. Gall or north Italy, 10th c., MAAB Crucifixion and Maries at the Sepulchre, ivory, St. Gall or north Italy, 10th c., MAAB Crucifixion and Maries at the Sepulchre, ivory, St. Gall or north Italy, 10th c., MAAB soldiers at the closed tomb: Basilewsky Situla, ivory, 980-81, V&A A.18-1933. This work has its own page. angels, soldiers, and women at the empty tomb: Basilewsky Situla, ivory, 980-81, V&A A.18-1933. This work has its own page. Harrowing of Hell: Basilewsky Situla, ivory, 980-81, V&A A.18-1933. This work has its own page. Anastasis, jasper or haematite, 11th-12th c., MSHM GIM 53151/73, OK 10965 (269), MSHM Women at Tomb lower right: gold altar frontal, early 11th c., Aachen cathedral. The altar and cathedral have their own pages. Bernward Doors, bronze, Hildesheim 1007-15. This work has its own page with details. lower right: Book cover, gold/ivory/gems/enamel, metalwork c.1020, AachenCT. The cover has its own page with details. Anastasis (Harrowing of Hell), ampulla from the Crusader kingdom of Jerusalem, lead, late 11th-12th c., CMA 1999.234 ivory cross, c.1150-60, Cloisters 63.12, which has its own page. Women at the Tomb: Novgorod cathedral doors, bronze, prob. 1152-54. The doors have their own page. Harrowing of Hell: Novgorod cathedral doors, bronze, prob. 1152-54. The doors have their own page. Pisa Cathedral doors, bronze, Bonannus of Pisa c.1180. This work has its own page, in cathedral complex portal sculpture early 13th c., Pisa baptistery, which has its own page, in cathedral complex Typology/Good Samaritan window, c.1207-15, Sens cathedral. The cathedral has its own interior page. guards at tomb of Christ, from Resurrection mosaic 1260-75, Baptistery of St. John, Florence. This work has its own pages. Virgin and Child reliquary predella, Coppo di Marcovaldo c.1270-80, Santa Maria Maggiore, Florence. This work has its own page. wooden cross from Borre, Vestfold, c.1275-1300, OHM C6130 wooden cross from Borre, Harrowing of Hell Risen Christ, oak, 1290s, WienAb. For details see Wienhausen interior Harrowing of Hell: Passion diptych, Paris, 1st half of 14th c., MAAB. This object has its own page. Resurrection, right: Virgin of Jeanne d'Evreux, silver gilt/enamel, 1324-39, Louvre MR 342, which has its own page Harrowing of Hell: Virgin of Jeanne d'Evreux, silver gilt/enamel, 1324-39, Louvre MR 342, which has its own page pulpit hanging, linen and silk embroidery on linen, Wienhausen 1325-75, WIEN Hb 3. For full work see WienMus. lower left: guards sleeping at the empty tomb (naos): Dečani monastery frescoes, 1335-47, which have their own pages Crucifixion and Resurrection, ivory diptych, Paris 1350-75, PMA 1921-20-1. This object has its own page. Crucifixion and Resurrection, France c.1350-1400, ivory, loan to UMMA from Met 1917,17.190.200 Passion of Christ, France c.1350-1400, ivory, loan to UMMA from Met 1917,17.190.200 Karlstejn Castle c.1363/65, Chapel of the Virgin Mary, which has its own own page. Harrowing of Hell, Holy Women at the tomb: Baptistery, cathedral of Padua, 1376 paintings: Giusto de' Menabuoi. This work has its own pages. Resurrection, late 14th c.?, Kloster Wienhausen, which has its own pages miraculous Hosts of Wilsnack: Crucifixion, Resurrection, Flagellation, tin pilgrim sign, Wilsnack c.1400, WienMus Resurrection, painted ivory, early 15th c., poss. Cologne, Schn B167. For reverse see Schn. Anastasis: Major Sakkos of Photius, Byzantine 1408-31, Armory TK-4, which has its own page pendant with life of Christ, silver? and ivory, Athos 16th c., Schn B122 right: Cross fr. Red Field Monastery, wood, c.1500-50, which has its own page top right: Passion scenes, poss. Arnt van Tricht, oak predella fr. Kalkar c.1530-40, Schn A859. For detail see Schn. standing cross, boxwood with pearls and glass, Greece c.1650-1800, UMMA 1961/1.177. This work has its own page. Resurrection of Christ, tin-glazed earthenware, Utrecht or Rotterdam 1800-50, PMA 1992-6-2a--l Resurrection of Christ, tin-glazed earthenware, Utrecht or Rotterdam 1800-50, PMA 1992-6-2a--l Julius Magnus-Petersen 1875: church apse paintings, Jelling, which has its own page St Albans cathedral: above altar Resurrection, Alfred Gilbert 1890-1903; St Albans has its own pages.