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Historical Archive: Sixteenth- and Seventeenth-century Painting, Figural Enamel, and Prints St. Barbara reliquary pendant, France or Netherlands 1495-1505, gold and enamel, AIC 1938.1179 Stigmatization of St. Francis, copper engraving on paper, Netherlandish c.1500, WienMus Mass of St. Giles, oil on panel c.1500, LNGA, which has its own page with companion panel Piero di Cosimo, Volto Santo (Christ on the Cross), c.1500-10, MFAB 1100. This work has its own page. Annunciation and Nativity triptych, enamel, frame gilt copper on wood with traces polychrome and gilding, early 16th c. Limoges, Master of the Large Foreheads, PMA 1930-1-62 Annunciate angel, enamel triptych, early 16th c. Limoges, Master of the Large Foreheads, PMA 1930-1-62 Nativity, enamel triptych, early 16th c. Limoges, Master of the Large Foreheads, PMA 1930-1-62 Mass of St. Gregory, early 16th c., tempera on pine, Portillo Master (active Palencia 1460-1506), MFAB 85.7. For a detail see MFAB. Albrecht Altdorfer 1509-18, SS Margaret and Barbara, from altarpiece of St. Sebastian, Abbey of St. Florian host above chalice: Albrecht Altdorfer 1509-18, SS Margaret and Barbara, from altarpiece of St. Sebastian, Abbey of St. Florian Albrecht Altdorfer 1509-18, Pilate washing his hands, from altarpiece of St. Sebastian, Abbey of St. Florian water on hands: Albrecht Altdorfer 1509-18, Pilate washing his hands, from altarpiece of St. Sebastian, Abbey of St. Florian Albrecht Dürer, St. Jerome 1514, SPN. For view with frame see Siena. Defendente Ferrari, Temptation of Eve c.1520-25, tempera on panel, UMMA 1967/1.38. This work has its own page. Jean de Court (Vigier), enamel, Baking Bread: Labor for December, 1540-60, UMMA 1977/1.168 Léonard Limosin (attrib.), enamel on copper from Feuillantines convent (Paris), repeating Chartres composition: Galiot de Genouillac as St Paul, mid 16th c. Limoges, Louvre MR XIII suppl 210 Léonard Limosin (attrib.), enamel on copper from Feuillantines convent (Paris), repeating Chartres composition: François I as St Thomas the Apostle, mid 16th c. Limoges, Louvre MR XIII suppl 211 Léonard Limosin (attrib.), enamel on copper from Feuillantines convent (Paris), repeating Chartres composition: François I as St Thomas the Apostle, mid 16th c. Limoges, Louvre MR XIII suppl 211 Hermann tom Ring, Last Judgement/Triumph of Death 1550-52, oil/panel, Utrecht ABM s40. For details see Utrecht. Léonard Limosin (attrib.), the Dauphin (future François II), enamel on copper, Limoges c.1553, Louvre N 1253 François Clouet, portrait of François de Scepeaux, oil on wood, 1566, IMA 2004.158 François Clouet, portrait of François de Scepeaux, oil on wood, 1566, IMA 2004.158 Crossing the Red Sea, enamel/copper, Jean de Court 1575-85, SF 48.2. For details see SF. ring with watch and Crucifixion triptych with instruments of the Passion, Jakob Weiss, gold and enamel, c.1585, IMA 73.70.93 ring with watch and Crucifixion triptych with instruments of the Passion, Jakob Weiss, gold and enamel, c.1585, IMA 73.70.93 ring with watch and Crucifixion triptych with instruments of the Passion, Jakob Weiss, gold and enamel, c.1585, IMA 73.70.93 ring with watch and Crucifixion with instruments of the Passion, Jakob Weiss, gold and enamel, c.1585, IMA 73.70.93 John the Baptist triptych, enamel/copper, Martin Didier Pape late 16th c., SF 1952.32a-c, which has its own page cell of Engel Wennes, painted 1593, Kloster Wienhausen, which has its own pages Charlemagne gives his sword and orb to a king of France under the auspices of a Benedictine monk of St-Denis, oil on canvas, 17th c., MAHSD 83.13.01 ex-voto of 6-year-old from chapel of Notre-Dame d’Assistance, oil on canvas, 17th c., Lille Hospice Comtesse D962 Augustinian in prayer, 17th c.? Lille Hospice Comtesse Caravaggio (Michelangelo Merisi), Deposition (Christ placed on the stone of unction), oil on canvas, 1604, Vat 40386. This work has its own page. Alessandro Bardelli, Gloria di Angeli 1624, painting formerly surrounding Berlinghieri St. Francis (here in a copy), San Francesco, Pescia, which has its own page St. Bonaventure, painting dated 1624, Sant'Apollinare Nuovo, Ravenna. This monument has its own page. St. Anthony of Padua, post 16th-c. painting (1624?), Sant'Apollinare Nuovo, Ravenna. This monument has its own page. Battle of the Milvian Bridge, Andrea Camassei (1602/49), Lateran Baptistery, Rome. The baptistery octagon and narthex have their own interior page. ex-voto of 3-year-old from chapel of Notre-Dame d’Assistance, oil on canvas, dated 1642, Lille Hospice Comtesse D962 on right Serponti altar with St. Charles Borromeo in prayer, Rodomonte Pieri and Francesco Nardi 1642, San Francesco, Pescia, which has its own page ex-voto of 3-year-old from chapel of Notre-Dame d’Assistance, oil on canvas, dated 1648, Lille Hospice Comtesse D962 ex-voto of 3-year-old from chapel of Notre-Dame d’Assistance, oil on canvas, dated 1648, Lille Hospice Comtesse D 62.1 Altar of St. Charlemagne, retable Hans Ludolff 1655, Sion, Valère basilica, which has its own interior page Crucifixion, Juan Carreño de Miranda 1658, oil on wood, IMA 2009.377 Crucifixion, Juan Carreño de Miranda 1658, oil on wood, inscription: gift to King Philip IV of Spain, IMA 2009.377 Joan van Noort/Jan van Noordt, Susanna and the Elders c.1660, Utrecht RMCC s75, loan from Instituut Collectie Nederland, Amsterdam, NK 1700 Joan van Noort, Susanna and the Elders, c. 1670, SF 2007.22 Ethiopian double diptych pendant, late 17th c., StLouis 12:2016, which has its own page